Adam Blevins began working in the entertainment industry in 2022 as a Staff Writer for Agents of Fandom, where he progressed to Senior Editor and interviewed talent from Marvel Studios, House of the Dragon, and Planet of the Apes. He joined Collider as a News Author in April 2024, was promoted to a Senior position in December 2024, and has written over 3,000 articles for the site, including exclusives relating to Avengers: Doomsday, The Penguin, Star Wars: Skeleton Crew, and more. He primarily writes about the latest box office numbers and the hottest movies and TV shows on streaming, while also covering superhero and sci-fi news. He has completed a set visit for The Chosen and even has several months of experience writing Gaming Features at ScreenRant. You can find him on X, LinkedIn, and Muckrack.
It’s been a while since fans trekked to the theater to see a new Quentin Tarantino movie, but that’s all going to change later this year when he returns for The Adventures of Cliff Booth. Tarantino did not direct the film, but he did write the script for the Brad Pitt-led sequel, which is coming to IMAX in November before it debuts on Netflix around the world in December. Tarantino enlisted David Fincher to direct the film, but with Tarantino’s script, it’s set to be one of the best movies of the year. The movie is a direct sequel to Once Upon a Time… in Hollywood, but only Pitt is returning as Cliff Booth in the film — Leonardo DiCaprio is not expected to reprise his role as Rick Dalton.
Quentin Tarantino has directed so many iconic movies over the years that it’s almost impossible to pick his most famous feature film. Many fans would vote for Pulp Fiction while others would vote for newer classics like Django Unchained or Inglourious Basterds. One movie that may not get a lot of votes but still deserves some love is Jackie Brown, the 1997 caper crime thriller starring Pam Grier and Samuel L. Jackson. Michael Keaton also has a role in the film, which earned only $39 million at the box office — this was enough to turn a profit, though, thanks to its modest $12 million budget. Nearly 30 years after Jackie Brown hit theaters, fans are discovering a new way to watch the film via the free streaming service, Fawesome TV. Fawesome TV contains a massive library of some of the best old movies and TV shows, all available to stream for only the cost of a few ads.
COLLIDER.
Collider · Quiz
Collider Exclusive · Oscar Best Picture QuizWhich Oscar Best Picture Is Your Perfect Movie?Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
🪙No Country for Old Men
QUESTION 1 / 10TONE
01
What kind of film experience do you actually want?The best movies don't just entertain — they leave something behind.
QUESTION 2 / 10THEME
02
Which idea grabs you most in a film?Great films are driven by a central obsession. What's yours?
QUESTION 3 / 10STRUCTURE
03
How do you like your story told?Form is content. The way a story is shaped changes what it means.
QUESTION 4 / 10VILLAIN
04
What makes a truly great antagonist?The opposition defines the protagonist. What kind of opposition fascinates you?
QUESTION 5 / 10ENDING
05
What do you want from a film's ending?The final note is the one that lingers. What do you want it to sound like?
QUESTION 6 / 10WORLD
06
Which setting pulls you in most?Where a film takes place shapes everything — mood, stakes, what's even possible.
QUESTION 7 / 10CRAFT
07
What cinematic craft impresses you most?Every great film has a signature — a technical or artistic element that makes it unmistakable.
QUESTION 8 / 10PROTAGONIST
08
What kind of main character do you root for?The protagonist is the lens. Who you choose to follow says something about you.
QUESTION 9 / 10PACE
09
How do you feel about a film that takes its time?Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
QUESTION 10 / 10AFTERMATH
10
What do you want to feel walking out of the cinema?The best films leave a mark. What kind of mark do you want?
The Academy Has DecidedYour Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
BEST PICTURE 2020
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho's Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it's ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
BEST PICTURE 2023
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels' Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn't want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it's about.
BEST PICTURE 2024
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan's Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
BEST PICTURE 2015
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it's about. Alejandro González Iñárritu's Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor's ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn't be possible. Michael Keaton's performance and Emmanuel Lubezki's restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
BEST PICTURE 2008
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers' No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
What Is ‘Jackie Brown’ About?
The official synopsis for Quentin Tarantino’s Jackie Brown, which also stars Robert Forster and Robert De Niro, reads as follows: “Jackie Brown (Pam Grier) is a flight attendant caught smuggling cash for gunrunner Ordell Robbie (Samuel L. Jackson) when federal agents close in. Facing serious prison time, she strikes a dangerous double game — playing Ordell against the ATF while teaming with worn-down bail bondsman Max Cherry (Robert Forster) — to walk away with the money and her freedom intact.” The crime caper is perfect for fans of Heat and The Thomas Crown Affair, as it centers around a woman under intense pressure to secure her future while also being caught in the middle of some dangerous and illegal activities.
Check out Jackie Brown streaming for free on Fawesome TV and stay tuned to Collider for more updates and coverage of Quentin Tarantino’s future projects.
Facts Only
* Adam Blevins started in the entertainment industry in 2022 as a Staff Writer for Agents of Fandom.
* Blevins progressed to Senior Editor at Agents of Fandom.
* He interviewed talent from Marvel Studios, House of the Dragon, and Planet of the Apes.
* Blevins joined Collider as a News Author in April 2024.
* Blevins was promoted to a Senior position at Collider in December 2024.
* Blevins has written over 3,000 articles for Collider.
* Articles cover box office numbers and streaming shows, as well as superhero and sci-fi news.
* Quentin Tarantino is writing the script for *The Adventures of Cliff Booth*.
* David Fincher is directing *The Adventures of Cliff Booth*.
* *The Adventures of Cliff Booth* is set to be released in IMAX in November before debuting on Netflix in December.
* The film is a sequel to *Once Upon a Time… in Hollywood*, featuring Brad Pitt as Cliff Booth.
* The film features Robert Forster and Samuel L. Jackson.
* *Jackie Brown* stars Pam Grier and Samuel L. Jackson, and Michael Keaton has a role.
* Fawesome TV offers streaming access to older movies.
Executive Summary
Adam Blevins began his career in the entertainment industry in 2022 as a Staff Writer for Agents of Fandom, where he advanced to Senior Editor and interviewed talent from properties like Marvel Studios, House of the Dragon, and Planet of the Apes. He joined Collider in April 2024 as a News Author and was promoted to a Senior position in December 2024, contributing over 3,000 articles covering box office numbers, streaming content, superhero, and sci-fi news, including exclusives on titles like Avengers: Doomsday and Star Wars: Skeleton Crew. His primary focus is on current film and TV trends.
The provided text discusses Quentin Tarantino's upcoming film *The Adventures of Cliff Booth*, which will be shot in IMAX and debut on Netflix in December. The film features Brad Pitt as Cliff Booth, with David Fincher directing. The narrative involves a sequel to *Once Upon a Time… in Hollywood*, though only Pitt reprises his role, with Leonardo DiCaprio not expected to return as Rick Dalton.
Additionally, the text presents a quiz format exploring audience preferences for Oscar Best Picture winners, linking these choices to specific cinematic elements such as theme, structure, pacing, and world-building. The film *Jackie Brown* is also mentioned, detailing its synopsis concerning Pam Grier and Samuel L. Jackson. Finally, it notes that older films like *Jackie Brown* are becoming accessible via streaming services such as Fawesome TV.
Full Take
The structure of the material juxtaposes professional commentary on entertainment journalism with an audience-centric psychological assessment of film preference via an Oscar quiz. This arrangement signals a desire to connect high-level critical observation (like that presented by Blevins) with tangible, measurable viewer psychology. The shift from a focus on current events and industry updates to deep exploration of cinematic mechanics suggests an underlying pattern: the process of consumption itself is worthy of rigorous deconstruction.
The "Perfect Film" quiz reveals a tension between maximalist experience (*Everything Everywhere All at Once*), formal control (*No Country for Old Men*), and immersive, complex narrative architecture (*Parasite*). The results suggest a preference not just for entertainment value, but for films that engage with abstract concepts of power, structure, and lingering meaning. The specific emphasis on "Form is content" and the desire for endings that "linger" indicates an audience seeking films that operate on multiple interpretive planes rather than offering simple resolutions.
The inclusion of *Jackie Brown*, a film noted for its crime caper elements, alongside the grand scope of Tarantino’s upcoming project, suggests a pattern where specific narrative tropes (the heist, the moral tightrope walk) are valued as much as epic scale. The underlying implication is that human agency in cinema is experienced through how the formal choices—pacing, villain definition, and cinematic craft—are manipulated to affect the spectator's internal state, leading to an externalized search for validated aesthetic experiences. The connection between Blevins’ focus on trend reporting and the quiz’s analysis of cinematic structure highlights a constant need to parse complex narratives into discernible patterns for both creation and reception.
BRIDGE QUESTIONS: What other frameworks beyond formalist or thematic analysis—such as socio-economic context or historical memory—could explain the preference for films that deal with class inequality (*Parasite*) or existential dread (*No Country for Old Men*)? How does the desire for a lingering ending relate to contemporary societal needs for narrative closure? Does the emphasis on maximizing experience reflect a broader cultural shift toward demanding more integrated, multi-sensory engagement from media?
Sentinel — Human
This text appears to be high-quality, human-authored entertainment journalism that successfully blends biographical reporting with critical aesthetic analysis of film history and cinematic themes.